

nick george
landscape artist

"But people have no idea what time is. They think it’s a line, spinning out from three seconds behind them, then vanishing just as fast into the three seconds of fog just ahead. They can’t see that time is one spreading ring wrapped around another, outward and outward until the thinnest skin of Now depends for its being on the enormous mass of everything that has already died."
The Overstory, Richard Powers
portfolio
artist statement
At ten years old I wasn’t to know how spending so much time in trees, building camps, rope bridges and zip wires, was to save me. Later, during a prolonged bout of mental ill-health I found myself reconnecting to nature. I walked daily through forest and heathlands, learning about the flora and fauna and observing its interdependency. Looking back I can see how nature led me out of my darkness, step-by-step. This is why I make art.
I want others to see the vital connections between all life forms, including their own. I’d like people to question these, find ways to reconnect and build their own bridges and zip wires to nature. I’d wish them to experience its healing benefits themselves and consider better custody for future generations to do the same.
Since those early days I have always communicated best through art, mostly painting in oil and acrylics. Now I find it hard to justify the use of non eco-friendly or unsustainable materials. I work more with repurposed tree-derived products. Recently appreciating the vast scale of nature, I moved away from framed 2D rectangles and began exploring, often large scale, 3D forms. I prefer to exhibit in spaces connected with nature and to collaborate with ecological organisations with a shared vision, where interconnection can heal and educate individuals and communities.

Nick George (Epsom, 1964) began his career as a paste-up artist and studied at the Berkshire College of Art & Design. He later qualified as a teacher from the University of Reading and went on to teach Art in state schools. He retired early from his role as School Atelierista to focus on his own art practice. Now based in Dorset, he works both in his studio and his local woods and forest. For many years he painted landscapes, predominantly in oils, but in the past year has aligned his work with his ethical and environmental understanding. He is interested in the interrelationship between people and nature, particularly trees, and recent explorations have resulted in three-dimensional installations made with repurposed tree-based products. He was a member of Newlyn School of Art’s 2025-26 Professional Landscape Artists’ Programme and exhibited early pieces of his new direction at their end-of-year exhibition at Tremenheere Sculpture Gardens.
images to follow
biography & curriculum vitae
exhibitions
group
Upon - Newlyn Art School PLAP
September 26 Tremenheere Sculpture Gardens
Chapel House Micro Exhibition
May 26 Chapel House Hotel, Penzance
Spring Open
February 25 Shaftesbury Arts Centre, Dorset
Lighthouse Open Call
April 24 Lighthouse Art Centre, Dorset
Purbeck Arts Week
June 24 Art 4 Action online exhibition and auction
solo
August 21 Wild Garden Gallery, Dorset
commissions
Modern Babylon
July 23 Private collection
Saye Beach Triptych
December 22 Private collection
teaching
Creative Recycled Glass Bottle Workshops
2015 Purbeck Workshop, Dorset
School Art Teacher and Atelierista
1995 - 2014
seeds
Below are some of the seeds that have been planted in a fertile mind (or a head full of well rotted manure) and nurtured to flower. Like all good ideas, they appear in no particular order.
Intraconnected, Dr Dan Siegel - how and why to develop relational connections with each other and all of nature by changing the boundaries of what ‘self’ is - for the betterment of humanity and the wider world.
The Overstory, Richard Powers - novel about the importance of trees to humanity
The More Beautiful World Our Hearts Know is Possible, Charles Eisenstein - The importance of living in tune with nature. Some might see this as unrealistic what with human nature being what it is, but in my humble opinion, it's absolutely what’s required
The Nature Principle, Richard Louv - the transformative power of the natural world
The Hidden Life of Trees, Peter Wohlleben - the bible of trees’ connectedness
The Web of Life, Fritjof Capra - how all things in the universe are connected - a bit ‘sciencey’ at times
Luminosity, Martha Tilston - a beautiful album of connectedness delivered by skilled musicians and the voice of an angel
Hoppers, Disney Studios - a movie of hope
“It’s hard to be mad when you feel like you’re part of something big”
Ecological Intelligence, Ian McCallum - explores the relationship between human beings and nature from both biological and poetic perspective
